Your tour departs from the Stage Door at Sydney Opera House, which is located on the main concourse level.

Returns to original departure point

詳細的出發地點，時間請參考電子票（Voucher）中的詳細介紹

A Reserve  A Reserve tickets will normally be more towards the aisle of a row, and will still have a very good view of the whole stage.
B Reserve  B Reserve tickets will be either aisle seats or seats very close to the aisle on either side of a row.

The evening begins with the a guided tour of the Sydney Opera House, then afterwards, you will be taken to Bennelong Restaurant orPortside Sydney for a pre theatre dinner and then the Ballet, as per your choice from the options below.

2019 Performances at the Sydney Opera House:

Verve

Duration: TBC

A voyage through contemporary Australian dance

Alice Topp’sAurummoved critics and audiences to superlatives, tributes and tears when it premiered in 2018. Inspired by the Japanese art ofkintsugi  repairing cracked pottery with precious metals  the work explores damage, healing and the beauty of our flaws. The dancers’ powerful movement and profound emotion are framed in a breathtaking staging by Jon Buswell, featuring a reflective golden floor and ripples of burnished light. This acclaimed work will have its New York premiere at the Joyce Theater in May.

Stephen Baynes’Constant Variantsmirrors the elegant classicism of Tchaikovsky’sVariations on a Rococo Themewith velvet-soft, delicate dance. Gliding airborne, captured in warm light and vast picture frames, his dancers conjure the mesmerising beauty of Renaissance paintings.

Verveends with a bang: Tim Harbour’sFiligree and Shadow, the hit of our 2015 contemporary program. The stripped-back clarity of its set, designed by Sydney architect Kelvin Ho, contrasts with the ferocious complexity and speed of the choreography and the drama of the specially commissioned electronic score by German duo 48nord. Adrenaline tingles all the way to the explosive finale.

April 2019: 9, 10, 11, 15, 16, 17, 18, 22, 23, 24, 25

Giselle

Duration: 1 hour & 20 min approx

High above the city, on a tall column, stood the statue of the Giselle …”

Oscar Wilde’s lyrical story of a statue who gives his all to help humanity is full of poetic beauty, heartbreak, sly humour and sharp social commentary. In 2019, Graeme Murphy, who created The Australian Ballet’s acclaimed modern versions ofSwan LakeandThe Nutcracker, turns his flair for transformative storytelling to Wilde’s moving tale. The possibilities for dance in Wilde’s characters  the golden Prince, his loyal friend the Swallow, the seductive Reed, the pitiful Match Girl  will be fabulously realised in Murphy’s distinctive choreographic style.

This all-Australian world premiere will feature a specially commissioned score from the renowned composer Christopher Gordon, who composed the scores for the filmsMao’sLast DancerandMaster and Commander, alongside the work of award-winning artist and director Kim Carpenter, who adapted the story and created the colourful design,for the ballet. Playful and poignant,The Gisellewill capture children’s imagination with its vivid spectacle and adults’ attention with its timely message: a kind heart shines
brighter than gold.

May 2019: 1, 2, 7, 8, 9, 13, 14, 15, 16

Sylvia

Duration: TBC

Meet Sylvia: she’s a legend.

The story of Sylvia  an arrow-wielding nymph who scorns love, falls in love, outwitsher abductor and wins through to happiness  first became a ballet in Paris over 150 years ago. The delightful Delibes score, which drew a rave review from Tchaikovsky, has since attracted some of the world’s leading choreographers, including Ivanov, Ashton, Balanchine and Neumeier. In 2019, Stanton Welch’s new production ofSylviawill have its Australian premiere. Welch, who recently staged his versions ofLa Bayad□reandRomeo and Julieton The Australian Ballet’s stage, is a resident choreographer of the company, the artistic director of Houston Ballet and one of the art form’s great storytellers. His full-lengthSylviarevolves around three intertwining love stories and features a striking new design by J□rme Kaplan (sets and costumes) and Wendell K. Harrington (projections), the creative dream team behind The Australian Ballet’sCinderella. Welch’sSylvia(which requires the lead ballerinas to learn sword-fighting) promises three strong superheroines, all the passion and humour of Greek myth, virtuoso dancing andone of ballet’s most charming scores.

November 2019: 12, 13, 14, 18, 19, 20, 21

以上列表僅供參考，如果您入住的飯店不在列表內，請直接聯絡我們的客服人員，我們將為您實時查詢